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Saturday, July 14, 2012
Tuesday, March 27, 2012
DIE SCHÖNHEIT VII.10
Τitle: Die Schönheit, VII. Band, Heft 10. Januar 1910
Publisher: Verlag der Schönheit, Berlin
Editor: Karl Vanselow
Language: German
Country of Origin: Germany
Format: 177x252mm (trimmed)
Pages: 70 single colour including covers printed on mat art paper (volume continuous pagination)
Illustrations: 21 duotone and black and white plates and pictures; one picture pasted-in on brown pasteboard
Frequency: Monthly
Binding: Thread-stitched magazine
Weight: 197 gr.
Single Copy: 90 Pfg.
Subscription rates: (12 issues April to March) 10 Mk. (6 issues April to September & October to March) 5 Mk.
Publisher: Verlag der Schönheit, Berlin
Editor: Karl Vanselow
Language: German
Country of Origin: Germany
Format: 177x252mm (trimmed)
Pages: 70 single colour including covers printed on mat art paper (volume continuous pagination)
Illustrations: 21 duotone and black and white plates and pictures; one picture pasted-in on brown pasteboard
Frequency: Monthly
Binding: Thread-stitched magazine
Weight: 197 gr.
Single Copy: 90 Pfg.
Subscription rates: (12 issues April to March) 10 Mk. (6 issues April to September & October to March) 5 Mk.
DIE SCHÖNHEIT VII. Band, Heft 10.
(433) Gustav Schüler, In deiner Liebe (Gedicht)
(436) Marie Heimbucher, Die Schönheit als Mitgift
(442) Arnold Büchle, An das Weib (Gedicht)
(443) Walther Unus, Zwischen Kunst und Leben
(446) Martin Boelitz, Bauplan (Gedicht)
(448) Kurt Auracher, Die Nacktheit als Schmuck des Heims
(466) John Henry Mackay, Heimliche Aufforderung (Gedicht)
(467) Ernst Edgar Reimérdes, Karneval in Venedig
(473) Rudolf Presber, Im Karneval
(476) Ernst Schur, Tanz
(480) Hans Zuchhold, Der Dinge Maß (Gedicht)
BEIBLATT ZUR SCHÖNHEIT. VII. Band, Heft 10.
(147) Max Thielert, Kindersport
(149) Kondensierte Luftbäder
(149) Nationalparke für Deutschland
(150) Vom Büchertisch (Hermann Muthesius, Kultur und Kunst / W. Armstrong, Geschichte der Kunst in Großbritannien und Irland John Henry Mackay, Gedichte)
(151) Schönheit-Preisausschreiben 1910
(154) Kleine Anzeigen
Sunday, March 25, 2012
Thursday, January 26, 2012
EMPIRE OF ECSTASY
ISBN-13: 978-0-520-20663-2
Writer: Karl Toepfer
Title: Empire of Ecstasy
Subtitle: Nudity and Movement in German Body Culture, 1910-1935
Series: Weimar and Now: German Cultural Criticism, 13
Language: English
Place of Publication: Berkeley, Los Angeles, London
Publisher: University of California Press
Year of Publication: 1997
Format: 159x240mm
Pages: xvii+422 printed on alkaline paper
Illustrations: 86 black and white plates and pictures
Jacket Design: Nola Burger
Jacket Illustration: Dancer at the Elisabeth Estas School, Cologne, 1927. Photographer unknown.
Binding: Red cloth spine and boards in colour dust jacket
Original Price: N/A
Weight: 1,037gr.
BOOK DESCRIPTION
Writer: Karl Toepfer
Title: Empire of Ecstasy
Subtitle: Nudity and Movement in German Body Culture, 1910-1935
Series: Weimar and Now: German Cultural Criticism, 13
Language: English
Place of Publication: Berkeley, Los Angeles, London
Publisher: University of California Press
Year of Publication: 1997
Format: 159x240mm
Pages: xvii+422 printed on alkaline paper
Illustrations: 86 black and white plates and pictures
Jacket Design: Nola Burger
Jacket Illustration: Dancer at the Elisabeth Estas School, Cologne, 1927. Photographer unknown.
Binding: Red cloth spine and boards in colour dust jacket
Original Price: N/A
Weight: 1,037gr.
BOOK DESCRIPTION
Empire of Ecstasy offers a
novel interpretation of the explosion of German body culture between the two
wars: nudism and nude dancing, gymnastics and dance training, dance photography
and criticism, and diverse genres of performance from solo dancing to mass
movement choirs. Karl Toepfer presents this dynamic subject as a vital and
historically unique construction of “modern identity,” which stimulated often
contradictory impulses, desires, and ambitions in participants and enthusiasts.
Radiating modernity,
freedom, and power, the body appeared to Weimar artists and intelligentsia to
be the source of a transgressive energy that resisted containment within
particular fields of study of cultural doctrines. Most provocative about the
body culture of the Weimar Republic was its insistent belief in the human body
as a sign and manifestation of powerful, mysterious “inner” conditions. Indeed,
modernity of being depended less upon the rationalization of life than upon the
appearance of the “modern” body.
Toefper suggests that this
view of the modern body sought to extend the aesthetic experience beyond the
boundaries imposed by rationalized life and to transcend these limits in search
of ecstasy. Through the presentation and analysis of unpublished archival
material (including many little-known photographs) and the reclamation of forgotten
discourses of fashion, gymnastics, nudism, and the visual arts, he investigates
the process of constructing an “empire” of appropriative impulses toward
ecstasy. Toepfer presents the work of well-known figures such as Rudolf Laban,
Mary Wigman, and Oskar Schlemmer, as well as many obscure but equally
fascinating practitioners of German body culture. His book is to become
required reading for historians of dance, body culture, and modernism.
Thursday, January 19, 2012
MANAGING THE BODY
Writer: Ina Zweiniger-Bargielowska
Title: Managing the Body
Subtitle: Beauty, Health, and Fitness in Britain, 1880-1939
Language: English
Place of Publication: New York
Publisher: Oxford University Press
Year of Publication: 2011 (reprint)
Format: 162x239mm
Pages: xi+394
Illustrations:15 black and white pictures
Front Cover Photograph: Bathers at the Serpentine Lido, Hyde Park, London, May 1932 © Hulton Archive/Getty Images
Binding: Hardcover in duotone printed covers
Weight: 737gr
Entry No.: 2012003
Entry Date:19th January 2012
BOOK DESCRIPTION
Managing the Body explores the emergence of modern male and female bodies within the context of debates about racial fitness and active citizenship in Britain from the 1880s until 1939. It analyses the growing popularity of hygienic regimen or body management such as dietary restrictions, exercise, sunbathing, dress reform, and birth control to cultivate beauty, health, and fitness. These bodily disciplines were advocated by a loosely connected group of life reform and physical culture promoters, doctors, and public health campaigners against the background of rapid urbanization, the rise of modern lifestyles, a proliferation of visual images of beautiful bodies, and eugenicist fears about racial degeneration.
Zweiniger-Bargielowska shows that body management was an essential aspect of the campaign for national efficiency before 1914. The modern nation state needed physically efficient, disciplined citizens and the promotion of hygienic practices was an integral component of the Edwardian welfare reforms. Anxieties about physical deterioration persisted after the First World War, as demonstrated by the launch of new pressure groups that aimed to transform Britain from a C3 to an A1 nation. These military categories became a recurrent metaphor throughout the interwar years and the virtuous habits of the healthy and fit A1 citizen were juxtaposed with those of the C3 anti-citizen, whose undisciplined lifestyle was attributed to ignorance and lack of self-control. Practices such as vegetarianism, nudism, and men's dress reform were utopian and appealed only to a small minority, but sunbathing, hiking, and keep-fit classes became mainstream activities and they were promoted in the National Government's 'National Fitness Campaign' of the late 1930s.
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