<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-6586968069798812707</id><updated>2012-03-07T20:35:18.642-08:00</updated><category term='BOOKSS'/><category term='BOOKS'/><category term='MAGAZINES'/><title type='text'>naturist archives of the 1910s</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://naturistarchives1910s.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6586968069798812707/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://naturistarchives1910s.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Angelos Mimikopoulos</name><uri>http://www.blogger.com/profile/12103483426722963409</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://3.bp.blogspot.com/_WRtPUhuy2GQ/S6zlKbB_z9I/AAAAAAAAGeQ/osk0Tf3mDOE/S220/d46.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>12</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-6586968069798812707.post-3421494190031702289</id><published>2012-01-26T05:55:00.000-08:00</published><updated>2012-01-26T06:04:11.792-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='BOOKSS'/><title type='text'>EMPIRE OF ECSTASY</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-1uhL-itbrtw/TyFaxWD0f2I/AAAAAAAANI8/SjSCg-Gm5No/s1600/u.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/-1uhL-itbrtw/TyFaxWD0f2I/AAAAAAAANI8/SjSCg-Gm5No/s200/u.jpg" width="125" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;ISBN-13: 978-0-520-20663-2&lt;br /&gt;Writer: Karl Toepfer&lt;br /&gt;Title: &lt;i style="color: #660000;"&gt;Empire of Ecstasy&lt;/i&gt;&lt;br /&gt;Subtitle: &lt;i style="color: #660000;"&gt;Nudity and Movement in German Body Culture, 1910-1935&lt;/i&gt;&lt;br /&gt;Series: &lt;i&gt;Weimar and Now: German Cultural Criticism, 13&lt;/i&gt;&lt;br /&gt;Language: English&lt;br /&gt;Place of Publication: Berkeley, Los Angeles, London&lt;br /&gt;Publisher: University of California Press&lt;br /&gt;Year of Publication: 1997&lt;br /&gt;Format: 159x240mm &lt;br /&gt;Pages: xvii+422 printed on alkaline paper&lt;br /&gt;Illustrations: 86 black and white plates and pictures&lt;br /&gt;Jacket Design: Nola Burger&lt;br /&gt;Jacket Illustration: Dancer at the Elisabeth Estas School, Cologne, 1927. Photographer unknown.&lt;br /&gt;Binding: Red cloth spine and boards in colour dust jacket&lt;br /&gt;Original Price: N/A&lt;br /&gt;Weight: 1,037gr.&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;u style="color: #660000;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;br /&gt;&lt;u style="color: #660000;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;BOOK DESCRIPTION&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;i&gt;Empire of Ecstasy&lt;/i&gt; offers a novel interpretation of the explosion of German body culture between the two wars: nudism and nude dancing, gymnastics and dance training, dance photography and criticism, and diverse genres of performance from solo dancing to mass movement choirs. Karl Toepfer presents this dynamic subject as a vital and historically unique construction of “modern identity,” which stimulated often contradictory impulses, desires, and ambitions in participants and enthusiasts.&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Radiating modernity, freedom, and power, the body appeared to Weimar artists and intelligentsia to be the source of a transgressive energy that resisted containment within particular fields of study of cultural doctrines. Most provocative about the body culture of the Weimar Republic was its insistent belief in the human body as a sign and manifestation of powerful, mysterious “inner” conditions. Indeed, modernity of being depended less upon the rationalization of life than upon the appearance of the “modern” body.&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;br /&gt;Toefper suggests that this view of the modern body sought to extend the aesthetic experience beyond the boundaries imposed by rationalized life and to transcend these limits in search of ecstasy. Through the presentation and analysis of unpublished archival material (including many little-known photographs) and the reclamation of forgotten discourses of fashion, gymnastics, nudism, and the visual arts, he investigates the process of constructing an “empire” of appropriative impulses toward ecstasy. Toepfer presents the work of well-known figures such as Rudolf Laban, Mary Wigman, and Oskar Schlemmer, as well as many obscure but equally fascinating practitioners of German body culture. His book is to become required reading for historians of dance, body culture, and modernism.&lt;br /&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6586968069798812707-3421494190031702289?l=naturistarchives1910s.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://naturistarchives1910s.blogspot.com/feeds/3421494190031702289/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://naturistarchives1910s.blogspot.com/2012/01/empire-of-ecstasy.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6586968069798812707/posts/default/3421494190031702289'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6586968069798812707/posts/default/3421494190031702289'/><link rel='alternate' type='text/html' href='http://naturistarchives1910s.blogspot.com/2012/01/empire-of-ecstasy.html' title='EMPIRE OF ECSTASY'/><author><name>Angelos Mimikopoulos</name><uri>http://www.blogger.com/profile/12103483426722963409</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://3.bp.blogspot.com/_WRtPUhuy2GQ/S6zlKbB_z9I/AAAAAAAAGeQ/osk0Tf3mDOE/S220/d46.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-1uhL-itbrtw/TyFaxWD0f2I/AAAAAAAANI8/SjSCg-Gm5No/s72-c/u.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6586968069798812707.post-6551700693233561099</id><published>2012-01-19T04:06:00.000-08:00</published><updated>2012-01-19T06:16:33.967-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='BOOKS'/><title type='text'>MANAGING THE BODY</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-dpNyns6A0-Y/TxglrHkXV8I/AAAAAAAANGI/2eUXq-TSXDM/s1600/z2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/-dpNyns6A0-Y/TxglrHkXV8I/AAAAAAAANGI/2eUXq-TSXDM/s200/z2.jpg" width="135" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;ISBN-13: 978-0-19-928052-0&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Writer: Ina Zweiniger-Bargielowska&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Title: &lt;i style="color: #660000;"&gt;Managing the Body&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Subtitle: &lt;i style="color: #660000;"&gt;Beauty, Health, and Fitness in Britain, 1880-1939&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Language: English&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Place of Publication: New York&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Publisher: Oxford University Press&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Year of Publication: 2011 (reprint)&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Format: 162x239mm &lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Pages: xi+394&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Illustrations:15 black and white pictures&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Front Cover Photograph: Bathers at the Serpentine Lido, Hyde Park, London, May 1932 © Hulton Archive/Getty Images&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Binding: Hardcover in duotone printed covers&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Weight: 737gr&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Entry No.: 2012003&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Entry Date:19th January 2012 &lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #660000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; text-align: center;"&gt;&lt;u&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;BOOK DESCRIPTION&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;i&gt;Managing the Body&lt;/i&gt; explores the emergence of modern male and female bodies within the context of debates about racial fitness and active citizenship in Britain from the 1880s until 1939. It analyses the growing popularity of hygienic regimen or body management such as dietary restrictions, exercise, sunbathing, dress reform, and birth control to cultivate beauty, health, and fitness. These bodily disciplines were advocated by a loosely connected group of life reform and physical culture promoters, doctors, and public health campaigners against the background of rapid urbanization, the rise of modern lifestyles, a proliferation of visual images of beautiful bodies, and eugenicist fears about racial degeneration. &lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Zweiniger-Bargielowska shows that body management was an essential aspect of the campaign for national efficiency before 1914. The modern nation state needed physically efficient, disciplined citizens and the promotion of hygienic practices was an integral component of the Edwardian welfare reforms. Anxieties about physical deterioration persisted after the First World War, as demonstrated by the launch of new pressure groups that aimed to transform Britain from a C3 to an A1 nation. These military categories became a recurrent metaphor throughout the interwar years and the virtuous habits of the healthy and fit A1 citizen were juxtaposed with those of the C3 anti-citizen, whose undisciplined lifestyle was attributed to ignorance and lack of self-control. Practices such as vegetarianism, nudism, and men's dress reform were utopian and appealed only to a small minority, but sunbathing, hiking, and keep-fit classes became mainstream activities and they were promoted in the National Government's 'National Fitness Campaign' of the late 1930s.&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6586968069798812707-6551700693233561099?l=naturistarchives1910s.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://naturistarchives1910s.blogspot.com/feeds/6551700693233561099/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://naturistarchives1910s.blogspot.com/2012/01/managing-body.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6586968069798812707/posts/default/6551700693233561099'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6586968069798812707/posts/default/6551700693233561099'/><link rel='alternate' type='text/html' href='http://naturistarchives1910s.blogspot.com/2012/01/managing-body.html' title='MANAGING THE BODY'/><author><name>Angelos Mimikopoulos</name><uri>http://www.blogger.com/profile/12103483426722963409</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://3.bp.blogspot.com/_WRtPUhuy2GQ/S6zlKbB_z9I/AAAAAAAAGeQ/osk0Tf3mDOE/S220/d46.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-dpNyns6A0-Y/TxglrHkXV8I/AAAAAAAANGI/2eUXq-TSXDM/s72-c/z2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6586968069798812707.post-733204874520819655</id><published>2011-10-16T07:41:00.000-07:00</published><updated>2011-10-16T07:41:33.866-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='MAGAZINES'/><title type='text'>DIE SCHÖNHEIT XI.4</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt; 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  &lt;w:LsdException Locked="false" Priority="32" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/&gt;   &lt;w:LsdException Locked="false" Priority="33" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Book Title"/&gt;   &lt;w:LsdException Locked="false" Priority="37" Name="Bibliography"/&gt;   &lt;w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt; /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Κανονικός πίνακας"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin-top:0cm; mso-para-margin-right:0cm; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0cm; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}&lt;/style&gt; &lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:shapedefaults v:ext="edit" spidmax="1026"/&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:shapelayout v:ext="edit"&gt;   &lt;o:idmap v:ext="edit" data="1"/&gt;  &lt;/o:shapelayout&gt;&lt;/xml&gt;&lt;![endif]--&gt;  &lt;br /&gt;&lt;b&gt;&lt;span style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;Τ&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;itle: &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;i&gt;&lt;span lang="EN-US" style="color: #660000; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;Die Schönheit&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;, XI. Band, Heft 4 (1913) &lt;br /&gt;Publisher: Verlag der Schönheit, Berlin &lt;br /&gt;Editor: Karl Vanselow&lt;br /&gt;Language: German&lt;br /&gt;Country of Origin: Germany&lt;br /&gt;Format: 161x244mm (trimmed)&lt;br /&gt;Pages: 63 single colour excluding covers printed on matt art paper and&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;newsprint (volume continuous pagination) &lt;br /&gt;Illustrations: 14+ black and white plates, pictures and sketches&lt;br /&gt;Frequency: Monthly&lt;br /&gt;Binding: Thread stitched magazine &lt;br /&gt;Weight: N/A&lt;br /&gt;Single Copy: N/A&lt;br /&gt;Subscription rates: (12 issues) N/A&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="center" style="text-align: center;"&gt;&lt;b&gt;&lt;u&gt;&lt;span lang="EN-US" style="color: #660000; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;CONTENTS / INHALT &amp;nbsp;„DIE SCHÖNHEIT“&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center" style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14pt;"&gt;(147) Kypris von Gerda von Robertus&lt;br /&gt;(147) Ring der Liebe von Hanns von Gumppenberg&lt;br /&gt;(148) Die Lady und der Kommis von Ludwig Bauer&lt;br /&gt;(168) Im Kaffeegarten von Karl Leopold Mayer&lt;br /&gt;(168) Allein in meinem Garten von Hans Koblitz&lt;br /&gt;(169) Der Raub der Europa von Johannes Marr&lt;br /&gt;(177) Liebesfeier von Karl Leopold Mayer&lt;br /&gt;(178) Architektur und Kleidung von Hans Schmidkunz&lt;br /&gt;(188) Ehemorgen von Hans H. Kamm&lt;br /&gt;(189) Die Erkennende von Hermann Hasenauer&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;u&gt;&lt;span lang="EN-US" style="color: #660000; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;BEIBLATT ZUR SCHÖNHEIT. XI. Band, Heft 4&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;&lt;br /&gt;(49) Schönheit und Ernährung&lt;br /&gt;(50) Verschiedenes&lt;br /&gt;(56) Vom Büchertisch&lt;br /&gt;(60) Kleine Anzeigen&lt;br /&gt;&lt;br /&gt;&lt;br style="mso-special-character: line-break;" /&gt; &lt;br style="mso-special-character: line-break;" /&gt; &lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6586968069798812707-733204874520819655?l=naturistarchives1910s.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://naturistarchives1910s.blogspot.com/feeds/733204874520819655/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://naturistarchives1910s.blogspot.com/2011/10/die-schonheit-xi4.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6586968069798812707/posts/default/733204874520819655'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6586968069798812707/posts/default/733204874520819655'/><link rel='alternate' type='text/html' href='http://naturistarchives1910s.blogspot.com/2011/10/die-schonheit-xi4.html' title='DIE SCHÖNHEIT XI.4'/><author><name>Angelos Mimikopoulos</name><uri>http://www.blogger.com/profile/12103483426722963409</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://3.bp.blogspot.com/_WRtPUhuy2GQ/S6zlKbB_z9I/AAAAAAAAGeQ/osk0Tf3mDOE/S220/d46.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6586968069798812707.post-3536766883303686698</id><published>2011-07-27T04:21:00.000-07:00</published><updated>2011-07-27T04:21:34.719-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='MAGAZINES'/><title type='text'>DIE SCHÖNHEIT X. 7</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt; 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mso-para-margin-left:0cm; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}&lt;/style&gt; &lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:shapedefaults v:ext="edit" spidmax="1026"/&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:shapelayout v:ext="edit"&gt;   &lt;o:idmap v:ext="edit" data="1"/&gt;  &lt;/o:shapelayout&gt;&lt;/xml&gt;&lt;![endif]--&gt;  &lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-8YYcnFZx5_U/Ti_0qpIa9nI/AAAAAAAAJ4E/ZVYIMARG6PY/s1600/dr85.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/-8YYcnFZx5_U/Ti_0qpIa9nI/AAAAAAAAJ4E/ZVYIMARG6PY/s200/dr85.jpg" width="131" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;&lt;span style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;&lt;br /&gt;&lt;br /&gt;Τ&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;itle: &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;i&gt;&lt;span lang="EN-US" style="color: #660000; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;Die Schönheit&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;, X. Band, Heft 7 (1912) &lt;br /&gt;Publisher: Verlag der Schönheit, Berlin &lt;br /&gt;Editor: Karl Vanselow&lt;br /&gt;Language: German&lt;br /&gt;Country of Origin: Germany&lt;br /&gt;Format: 161x244mm (trimmed)&lt;br /&gt;Pages: 68 single colour excluding covers printed on matt art paper and newsprint (volume continuous pagination) &lt;br /&gt;Illustrations: 18+ black and white plates and pictures&lt;br /&gt;Frequency: Monthly&lt;br /&gt;Binding: Thread stitched magazine &lt;br /&gt;Weight: N/A&lt;br /&gt;Single Copy: N/A&lt;br /&gt;Subscription rates: (12 issues) N/A&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;b&gt;&lt;u&gt;&lt;span lang="EN-US" style="color: #660000; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;u&gt;&lt;span lang="EN-US" style="color: #660000; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;CONTENTS / INHALT &amp;nbsp;„DIE SCHÖNHEIT“&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: 12pt;"&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt;&lt;br /&gt;(289) Azaleen von Clara Gill&lt;br /&gt;(290) Apotheose von Karl Engelhard&lt;br /&gt;(292) Der Holmgang. Aus der Geschichte eines alten deutschen Geschlechts erzählt von Felix Neumann. Dritter Teil&lt;br /&gt;(309) Herbstserenade von Otto Michaeli&lt;br /&gt;(310) Schönheit und Langlebigkeit von Johannes Marr&lt;br /&gt;(314) Einladung von Leo Heller&lt;br /&gt;(314) Erlösung von Edit Donnerberg&lt;br /&gt;(316) Siegfried oder Euphorion von Dr. J.B. Schneider&lt;br /&gt;(322) Sonntagskind von Otto Ernst&lt;br /&gt;(324) Letzte Ausfahrt von Karl Leopold Mayer&lt;br /&gt;(326) Neue Männerkleidung von Ernst Bernhard&lt;br /&gt;(331) Im Heiligenschein von Gerda von Robertus&lt;br /&gt;(332) Das Märchen vom Leben von Lothar Eisen&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;u&gt;&lt;span lang="EN-US" style="color: #660000; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;BEIBLATT ZUR SCHÖNHEIT. X. Band, Heft 7, Oktober 1912&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;&lt;br /&gt;(121) Dämonische Schönheit von L.E.&lt;br /&gt;(122) Korsett und Körperschönheit&lt;br /&gt;(123) Das Badezimmer von Fred Hood&lt;br /&gt;(125) Verschiedenes&lt;br /&gt;(125) Ausländische Schönheiten&lt;br /&gt;(126) Die Frau im Waldmannskleide&lt;br /&gt;(127) Die Russen&lt;br /&gt;(128) Auch ein Schulinspector&lt;br /&gt;(128) Polizei und Reklameplakate&lt;br /&gt;(129) Kritiker der &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;„&lt;span style="color: black;"&gt;Schönheit&lt;/span&gt;“&lt;span style="color: black;"&gt; von L.E.&lt;br /&gt;(130) Vom Büchertisch&lt;br /&gt;(137) Kleine Anzeigen&lt;br /&gt;&lt;br style="mso-special-character: line-break;" /&gt; &lt;br style="mso-special-character: line-break;" /&gt; &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6586968069798812707-3536766883303686698?l=naturistarchives1910s.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://naturistarchives1910s.blogspot.com/feeds/3536766883303686698/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://naturistarchives1910s.blogspot.com/2011/07/die-schonheit-x-7.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6586968069798812707/posts/default/3536766883303686698'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6586968069798812707/posts/default/3536766883303686698'/><link rel='alternate' type='text/html' href='http://naturistarchives1910s.blogspot.com/2011/07/die-schonheit-x-7.html' title='DIE SCHÖNHEIT X. 7'/><author><name>Angelos Mimikopoulos</name><uri>http://www.blogger.com/profile/12103483426722963409</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://3.bp.blogspot.com/_WRtPUhuy2GQ/S6zlKbB_z9I/AAAAAAAAGeQ/osk0Tf3mDOE/S220/d46.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-8YYcnFZx5_U/Ti_0qpIa9nI/AAAAAAAAJ4E/ZVYIMARG6PY/s72-c/dr85.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6586968069798812707.post-7418541717544414421</id><published>2011-07-27T00:09:00.000-07:00</published><updated>2011-07-27T04:22:22.540-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='MAGAZINES'/><title type='text'>DIE SCHÖNHEIT XI. 6</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-LLgjuWD5RM0/Ti-5YhfejmI/AAAAAAAAJ4A/-5-VHG5i5kU/s1600/dr84.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/-LLgjuWD5RM0/Ti-5YhfejmI/AAAAAAAAJ4A/-5-VHG5i5kU/s200/dr84.jpg" width="131" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;&lt;span style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt;Τ&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt;itle: &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;i&gt;&lt;span lang="EN-US" style="color: #660000; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt;Die Schönheit&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt;, XI. Band, Heft 6 (1913) &lt;br /&gt;Publisher: Verlag der Schönheit, Berlin &lt;br /&gt;Editor: Karl Vanselow&lt;br /&gt;Language: German&lt;br /&gt;Country of Origin: Germany&lt;br /&gt;Format: 161x244mm (trimmed)&lt;br /&gt;Pages: 65 single colour excluding covers printed on matt art paper (volume continuous pagination) &lt;br /&gt;Illustrations: 20+ black and white plates and pictures&lt;br /&gt;Frequency: Monthly&lt;br /&gt;Binding: Thread stitched magazine &lt;br /&gt;Weight: N/A&lt;br /&gt;Single Copy: N/A&lt;br /&gt;Subscription rates: (12 issues) N/A&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="center" style="text-align: center;"&gt;&lt;b&gt;&lt;u&gt;&lt;span lang="EN-US" style="color: #660000; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt;CONTENTS / INHALT &amp;nbsp;„DIE SCHÖNHEIT“&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center" style="text-align: center;"&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt;(241) Erwartung von Kurt Erich Meurer&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt; (242) Das gläserne Riff. Novelle von J. B. Schneider&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt; (258) Vergessene Götter von Hans H. Kamm&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt; (260) Die Angst vor der Freude von Dr. Wilhelm Stekel&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt; (269) Götterdämmerung von Otto Rennefeld&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt; (270) Der Kommende von Ludwig Jacobowski&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt; (272) Jenseits der Grenzen von Fred Halmann&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt; (278) Abendweg von Ludwig Jacobowski&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt; (280) Mode, Tanz und Erotik von Dr. Ike Spier-München&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt; (287) Trommeln im Garten von Karl Leopold Mayer&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" style="text-align: center;"&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;u&gt;&lt;span lang="EN-US" style="color: #660000; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt;BEIBLATT ZUR SCHÖNHEIT. XI. Band, Heft 6&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt;&lt;br /&gt;(81) Was ist schön?&lt;br /&gt;(82) Frauenschönheit und Farbengefühl&lt;br /&gt;(82) Verschiedenes&lt;br /&gt;(82) Auf der Suche nach Schönheit&lt;br /&gt;(83) Der Kult der Schönheit&lt;br /&gt;(85) Wiederkehrende Jugend&lt;br /&gt;(86) Mode und Persönlichkeit&lt;br /&gt;(87) Anstößige Kunstwerke&lt;br /&gt;(88) Der &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: #660000; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt;„&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt;staatsgefährliche Nackttanz&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: #660000; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt;“&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt; von L.E.&lt;br /&gt;(88) Zur Frage der ästhetischen Erziehung&lt;br /&gt;(89) Das Ende der weiblichen Schönheit&lt;br /&gt;(90) Vom Büchertisch&lt;br /&gt;(95) Kleine Anzeigen&lt;br /&gt;&lt;br style="mso-special-character: line-break;" /&gt; &lt;br style="mso-special-character: line-break;" /&gt; &lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6586968069798812707-7418541717544414421?l=naturistarchives1910s.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://naturistarchives1910s.blogspot.com/feeds/7418541717544414421/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://naturistarchives1910s.blogspot.com/2011/07/die-schonheit-xi-6.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6586968069798812707/posts/default/7418541717544414421'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6586968069798812707/posts/default/7418541717544414421'/><link rel='alternate' type='text/html' href='http://naturistarchives1910s.blogspot.com/2011/07/die-schonheit-xi-6.html' title='DIE SCHÖNHEIT XI. 6'/><author><name>Angelos Mimikopoulos</name><uri>http://www.blogger.com/profile/12103483426722963409</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://3.bp.blogspot.com/_WRtPUhuy2GQ/S6zlKbB_z9I/AAAAAAAAGeQ/osk0Tf3mDOE/S220/d46.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-LLgjuWD5RM0/Ti-5YhfejmI/AAAAAAAAJ4A/-5-VHG5i5kU/s72-c/dr84.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6586968069798812707.post-6434225140379292840</id><published>2011-07-13T02:42:00.000-07:00</published><updated>2011-07-13T02:42:39.169-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='MAGAZINES'/><title type='text'>JOURNAL OF THE HISTORY OF SEXUALITY 20.1</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt; 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mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}&lt;/style&gt; &lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:shapedefaults v:ext="edit" spidmax="1026"/&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:shapelayout v:ext="edit"&gt;   &lt;o:idmap v:ext="edit" data="1"/&gt;  &lt;/o:shapelayout&gt;&lt;/xml&gt;&lt;![endif]--&gt;  &lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-2lFPzU051fs/Th1ofNLglaI/AAAAAAAAJws/rBa8l0_rWB4/s1600/dr78.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/-2lFPzU051fs/Th1ofNLglaI/AAAAAAAAJws/rBa8l0_rWB4/s200/dr78.jpg" width="133" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;&lt;br /&gt;ISSN: 1043-4070&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;Τ&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;itle: &lt;/span&gt;&lt;/b&gt;&lt;b style="color: #660000;"&gt;&lt;i&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14pt;"&gt;Journal of the History of Sexuality&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;, Volume 20, Number 1, January 2011&lt;br /&gt;Publisher: University of Texas Press&lt;br /&gt;Editor: Mathew Kuefler&lt;br /&gt;Language: English &lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;&lt;br /&gt;&lt;b&gt;Country of Origin: U.S.A&lt;br /&gt;Format: 152x227mm (trimmed)&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Pages: iv+214 single colour excluding duotone covers (volume continuous pagination)&lt;br /&gt;Illustrations: 10 black and white pictures &lt;br /&gt;Front Cover Photo: Unsexed spinster suffragists. Postcard ca. 1909. ©The Women’s Library/Mary Evans&lt;br /&gt;Frequency: Three times annually in January, May, and September&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;Β&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;inding: Square-bound glued spine &lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;&lt;br /&gt;&lt;b&gt;Weight: 306gr. &lt;/b&gt;&lt;br /&gt;&lt;b&gt;Single Copy: USD 82.00 (Institutions) • USD 23.00 (Individuals)&lt;br /&gt;Subscription rates (3 issues): USD 228.00 (Institutions)• (Individuals) USD 51.00 • (Students) USD 36.00&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;b&gt;&lt;u&gt;&lt;span lang="EN-US" style="color: #660000; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;u&gt;&lt;span lang="EN-US" style="color: #660000; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;CONTENTS&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;u&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;&lt;/span&gt;&lt;/u&gt;&lt;/div&gt;&lt;b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;&lt;br /&gt;(iv) Editor’s Note by Mathew Kuefler&lt;br /&gt;(1) Exclusion as Language and the Language of Exclusion: Tracing Regimes of Gender through Linguistic Representations of the “Eunuch” by Shane Gannon&lt;br /&gt;(28) Between Monks: Tales of Monastic Companionship in Early Byzantium by Derek Krueger&lt;br /&gt;(62) Unbecoming Women: Sex Reversal in the Scientific Discourse on Female Deviance in Britain, 1880-1920 by Lisa Carstens&lt;br /&gt;(95)”Must we dance naked?”: Art, Beauty, and Law in Munich and Paris, 1911-1913 by Edward Ross Dickinson&lt;br /&gt;(132) The Stained Glass Closet: Celibacy and Homosexuality in the Church of England to 1955 by Timothy Jones&lt;br /&gt;(153) “The most profoundly revolutionary act a homosexual can engage in”: Drag and the Politics of Gender Presentation in the San Francisco Gay Liberation Movement, 1964-1972 by Betty Luther Hillman&lt;br /&gt;(182-197) Book Reviews (4)&lt;br /&gt;(198) Review Essay&lt;br /&gt;(206) Books of Critical Interest&lt;br /&gt;(208) Dissertations Recently Completed in Related Fields&lt;br /&gt;(210) Guidelines for Contributors&lt;br /&gt;(212) Notes on Contributors&lt;br style="mso-special-character: line-break;" /&gt; &lt;br style="mso-special-character: line-break;" /&gt; &lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-US" style="color: black; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6586968069798812707-6434225140379292840?l=naturistarchives1910s.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://naturistarchives1910s.blogspot.com/feeds/6434225140379292840/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://naturistarchives1910s.blogspot.com/2011/07/journal-of-history-of-sexuality-201.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6586968069798812707/posts/default/6434225140379292840'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6586968069798812707/posts/default/6434225140379292840'/><link rel='alternate' type='text/html' href='http://naturistarchives1910s.blogspot.com/2011/07/journal-of-history-of-sexuality-201.html' title='JOURNAL OF THE HISTORY OF SEXUALITY 20.1'/><author><name>Angelos Mimikopoulos</name><uri>http://www.blogger.com/profile/12103483426722963409</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://3.bp.blogspot.com/_WRtPUhuy2GQ/S6zlKbB_z9I/AAAAAAAAGeQ/osk0Tf3mDOE/S220/d46.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-2lFPzU051fs/Th1ofNLglaI/AAAAAAAAJws/rBa8l0_rWB4/s72-c/dr78.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6586968069798812707.post-8919499212476302204</id><published>2011-06-01T04:04:00.000-07:00</published><updated>2011-06-01T04:04:38.561-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='MAGAZINES'/><title type='text'>DIE SCHÖNHEIT FIDUS-HEFT</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt; 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  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"   UnhideWhenUsed="false" Name="Light Shading Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"   UnhideWhenUsed="false" Name="Light List Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"   UnhideWhenUsed="false" Name="Light Grid Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 1 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 2 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"   UnhideWhenUsed="false" Name="Dark List Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful Shading Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful List Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful Grid Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"   UnhideWhenUsed="false" Name="Light Shading Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"   UnhideWhenUsed="false" Name="Light List Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"   UnhideWhenUsed="false" Name="Light Grid Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 1 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 2 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 3"/&gt; 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  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 1 Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 2 Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"   UnhideWhenUsed="false" Name="Dark List Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful Shading Accent 4"/&gt; 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  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"   UnhideWhenUsed="false" Name="Light Shading Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"   UnhideWhenUsed="false" Name="Light List Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"   UnhideWhenUsed="false" Name="Light Grid Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 1 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 2 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"   UnhideWhenUsed="false" Name="Dark List Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful Shading Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful List Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful Grid Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="19" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Subtle Emphasis"/&gt;   &lt;w:LsdException Locked="false" Priority="21" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/&gt;   &lt;w:LsdException Locked="false" Priority="31" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/&gt;   &lt;w:LsdException Locked="false" Priority="32" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/&gt;   &lt;w:LsdException Locked="false" Priority="33" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Book Title"/&gt;   &lt;w:LsdException Locked="false" Priority="37" Name="Bibliography"/&gt;   &lt;w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt; /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Κανονικός πίνακας"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin-top:0cm; mso-para-margin-right:0cm; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0cm; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}&lt;/style&gt; &lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:shapedefaults v:ext="edit" spidmax="1026"/&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:shapelayout v:ext="edit"&gt;   &lt;o:idmap v:ext="edit" data="1"/&gt;  &lt;/o:shapelayout&gt;&lt;/xml&gt;&lt;![endif]--&gt;  &lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-ATM0-YVRtQg/TeYcs7TIbUI/AAAAAAAAJk4/lVmQsXlqU-w/s1600/dr58.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/-ATM0-YVRtQg/TeYcs7TIbUI/AAAAAAAAJk4/lVmQsXlqU-w/s200/dr58.jpg" width="143" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-margin-top-alt: auto;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;span&gt;Τ&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang="EN-US"&gt;itle: &lt;i style="color: #660000;"&gt;Die Schönheit&lt;/i&gt;, Sechzehnter Jahrgang 1919/20&lt;br /&gt;&lt;i style="color: #660000;"&gt;Fidus-H&lt;span&gt;&lt;/span&gt;eft&lt;/i&gt;&lt;br /&gt;Subtitle: &lt;i style="color: #660000;"&gt;Mit Bildern geschmückte Zeitschrift für Kunst und Leben&lt;/i&gt;&lt;br /&gt;Publisher: R. A. Giesecke, Verlag der Schönheit, Dresden&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-US"&gt;&lt;br /&gt;&lt;b&gt;&lt;span&gt;Editor: N/A&lt;br /&gt;Language: German &lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span&gt;Country of Origin: Germany &lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span&gt;Format: 172x244mm (trimmed)&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span&gt;Pages: 52 single colour printed on matt art paper including single colour covers&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span&gt;Illustrations: 30 colour, duotone&lt;span&gt;&amp;nbsp; &lt;/span&gt;and black and white plates, pictures and sketches&lt;br /&gt;Front Cover Photo: &lt;span&gt;&amp;nbsp;&lt;/span&gt;„Mädchen“ im Sternenhimmel“ von Fidus&lt;br /&gt;Frequency: Special Edition&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span&gt;Binding: Thread stitched glued spine &lt;br /&gt;Weight: 121gr. &lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span&gt;Single Copy: N/A&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;span lang="EN-US"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: large;"&gt;&lt;b style="color: #660000;"&gt;&lt;u&gt;&lt;span lang="EN-US"&gt;CONTENTS / INHALT&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;u&gt;&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;span lang="EN-US"&gt;&lt;br /&gt;(3) Fidus, der Lichtgläubige von Arno Rentsch&lt;br /&gt;(20) Von neuer Schönheit von Fidus&lt;br /&gt;(24) Aufschwung von Gertrud Prellwitz&lt;br /&gt;(25) Aufblick von Helmuth Dube&lt;br /&gt;(28) Die Begegnung von Arthur Schubart&lt;br /&gt;(33) Fidus’ Tempelkunst von Dr. Albert Giesecke&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6586968069798812707-8919499212476302204?l=naturistarchives1910s.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://naturistarchives1910s.blogspot.com/feeds/8919499212476302204/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://naturistarchives1910s.blogspot.com/2011/06/die-schonheit-fidus-heft.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6586968069798812707/posts/default/8919499212476302204'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6586968069798812707/posts/default/8919499212476302204'/><link rel='alternate' type='text/html' href='http://naturistarchives1910s.blogspot.com/2011/06/die-schonheit-fidus-heft.html' title='DIE SCHÖNHEIT FIDUS-HEFT'/><author><name>Angelos Mimikopoulos</name><uri>http://www.blogger.com/profile/12103483426722963409</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://3.bp.blogspot.com/_WRtPUhuy2GQ/S6zlKbB_z9I/AAAAAAAAGeQ/osk0Tf3mDOE/S220/d46.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-ATM0-YVRtQg/TeYcs7TIbUI/AAAAAAAAJk4/lVmQsXlqU-w/s72-c/dr58.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6586968069798812707.post-4253378134025000224</id><published>2011-05-02T07:09:00.000-07:00</published><updated>2011-05-02T07:09:33.183-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='BOOKS'/><title type='text'>DER DEUTSCHE NATURISMUS</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt; 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mso-para-margin-left:0cm; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}&lt;/style&gt; &lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:shapedefaults v:ext="edit" spidmax="1026"/&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:shapelayout v:ext="edit"&gt;   &lt;o:idmap v:ext="edit" data="1"/&gt;  &lt;/o:shapelayout&gt;&lt;/xml&gt;&lt;![endif]--&gt;  &lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-1EUZLUvGWVE/Tb66_CzwtjI/AAAAAAAAJeg/3qk8offAEIQ/s1600/dr53.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/-1EUZLUvGWVE/Tb66_CzwtjI/AAAAAAAAJeg/3qk8offAEIQ/s200/dr53.jpg" width="140" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal;"&gt;&lt;b&gt;&lt;span lang="EN-US"&gt;&lt;span style="font-size: large;"&gt;ISSN: 0340-0956&lt;br /&gt;ISBN-10-3-88020-102-1&lt;br /&gt;Series: Sportwissenschaftliche Dissertationen, Sportpädagogik, Band 19&lt;br /&gt;Writer: Giselher Spitzer&lt;br /&gt;Title: &lt;i&gt;&lt;span style="color: #c00000;"&gt;&lt;span style="color: #660000;"&gt;Der deutsche Naturismus&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;Subtitle:&lt;span style="color: #660000;"&gt; &lt;/span&gt;&lt;i&gt;&lt;span style="color: #c00000;"&gt;&lt;span style="color: #660000;"&gt;Idee und Entwicklung einer volkserzieherischen Bewegung im Schnittfeld von Lebensreform, Sport und Politik&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;Language: German&lt;br /&gt;Edition: 1. Auflage &lt;br /&gt;Place of Publication: Ahrenburg bei Hamburg&lt;br /&gt;Publisher: Verlag Ingrid Czwalina&lt;br /&gt;Year of Publication: 1983 &lt;br /&gt;Format: 147x210mm (trimmed)&lt;br /&gt;Pages:259; Literaturverzeichnis, 240; Anlagen,&lt;span&gt;&amp;nbsp; &lt;/span&gt;252&lt;br /&gt;Binding: Paper-bound in duotone wrappers &lt;br /&gt;Weight: 359gr.&lt;br /&gt;Entry No.: 2011006&lt;br /&gt;Entry Date: 2&lt;sup&gt;nd&lt;/sup&gt; May 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6586968069798812707-4253378134025000224?l=naturistarchives1910s.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://naturistarchives1910s.blogspot.com/feeds/4253378134025000224/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://naturistarchives1910s.blogspot.com/2011/05/der-deutsche-naturismus.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6586968069798812707/posts/default/4253378134025000224'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6586968069798812707/posts/default/4253378134025000224'/><link rel='alternate' type='text/html' href='http://naturistarchives1910s.blogspot.com/2011/05/der-deutsche-naturismus.html' title='DER DEUTSCHE NATURISMUS'/><author><name>Angelos Mimikopoulos</name><uri>http://www.blogger.com/profile/12103483426722963409</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://3.bp.blogspot.com/_WRtPUhuy2GQ/S6zlKbB_z9I/AAAAAAAAGeQ/osk0Tf3mDOE/S220/d46.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-1EUZLUvGWVE/Tb66_CzwtjI/AAAAAAAAJeg/3qk8offAEIQ/s72-c/dr53.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6586968069798812707.post-2225489472023983883</id><published>2011-04-28T09:42:00.000-07:00</published><updated>2011-04-28T09:42:16.599-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='BOOKS'/><title type='text'>THE CULT OF HEALTH AND BEAUTY IN GERMANY</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-MQS9STfJKQI/TbmYwaeeYRI/AAAAAAAAJc4/1HadQo4fuko/s1600/F99.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/-MQS9STfJKQI/TbmYwaeeYRI/AAAAAAAAJc4/1HadQo4fuko/s200/F99.jpg" width="132" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="color: black; font-size: large;"&gt;&lt;span style="font-weight: bold;"&gt;ISBN-13:  978-0-226-31976-6&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Writer: Michael Hau&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Τitle: &lt;i style="color: #660000;"&gt;The Cult of  Health and Beauty in Germany&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Subtitle: &lt;i style="color: #660000;"&gt;A Social  History, 1890-1930&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Language: English&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Edition: First  Edition&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Place of  Publication: Chicago and London&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Publisher: The  University of Chicago Press&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Year of  Publication: 2003&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Format: 153x229mm (trimmed)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Pages: x+286  printed on alkaline paper; Notes, 207; Bibliography, 249; Index, 273&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Illustrations: 48  black and white pictures and sketches&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Binding: Paperback  in duotone wrappers&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Weight: 402gr.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; text-align: center;"&gt;&lt;u&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-weight: bold;"&gt;BOOK DESCRIPTION&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="color: black; font-size: large;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; text-align: justify;"&gt;&lt;span style="color: black; font-size: large;"&gt;&lt;span style="font-weight: bold;"&gt;From  the 1890s to the  1930s, a growing number of Germans began to  scrutinize and discipline  their bodies in a utopian search for perfect  health and beauty. Some  became vegetarians, nudists, or bodybuilders,  while others turned to  alternative medicine or eugenics. In &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: bold;"&gt;The Cult of Health and Beauty in Germany&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: bold;"&gt;,  Michael Hau  demonstrates why so many men and women were drawn to these  life reform  movements and examines their tremendous impact on German  society and  medicine.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black; font-size: large;"&gt;&lt;span style="font-weight: bold;"&gt;Hau  argues that the obsession with personal health  and fitness was often  rooted in anxieties over professional and economic  success, as well as  fears that modern industrialized civilization was  causing Germany and  its people to degenerate. He also examines how  different social groups  gave different meanings to the same hygienic  practices and aesthetic  ideals. What results is a penetrating book at  class formation in  pre-Nazi Germany that will interest historians of  Europe and medicine  and scholars of culture and gender.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6586968069798812707-2225489472023983883?l=naturistarchives1910s.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://naturistarchives1910s.blogspot.com/feeds/2225489472023983883/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://naturistarchives1910s.blogspot.com/2011/04/cult-of-health-and-beauty-in-germany.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6586968069798812707/posts/default/2225489472023983883'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6586968069798812707/posts/default/2225489472023983883'/><link rel='alternate' type='text/html' href='http://naturistarchives1910s.blogspot.com/2011/04/cult-of-health-and-beauty-in-germany.html' title='THE CULT OF HEALTH AND BEAUTY IN GERMANY'/><author><name>Angelos Mimikopoulos</name><uri>http://www.blogger.com/profile/12103483426722963409</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://3.bp.blogspot.com/_WRtPUhuy2GQ/S6zlKbB_z9I/AAAAAAAAGeQ/osk0Tf3mDOE/S220/d46.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-MQS9STfJKQI/TbmYwaeeYRI/AAAAAAAAJc4/1HadQo4fuko/s72-c/F99.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6586968069798812707.post-4621863946785705844</id><published>2011-04-17T09:17:00.000-07:00</published><updated>2011-04-24T03:03:14.699-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='BOOKS'/><title type='text'>RECONSTRUCTING THE BODY</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-GwfVg-a7EIY/TasSfcAYTfI/AAAAAAAAJZo/jv8Elgoa-MU/s1600/1853883.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/-GwfVg-a7EIY/TasSfcAYTfI/AAAAAAAAJZo/jv8Elgoa-MU/s200/1853883.jpg" width="133" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; font-size: large;"&gt;&lt;b&gt;ISBN-13:&lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt; &lt;/span&gt;&lt;b style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;978-019-954645-6&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; font-size: large;"&gt;&lt;b&gt;Writer: Ana Cordon-Coyne&lt;br /&gt;Title: &lt;i style="color: #660000;"&gt;Reconstructing the Body&lt;/i&gt;&lt;br /&gt;Subtitle: &lt;i style="color: #660000;"&gt;Classicism, Modernism, and the First World War&lt;/i&gt;&lt;br /&gt;Place of Publication: Oxford&lt;br /&gt;Pub;isher: Oxford University Press&lt;br /&gt;Year of Pulication: 2009&lt;br /&gt;Format: 236x154mm&lt;br /&gt;Pages: 330&lt;br /&gt;Binding: Hardbound in colour dust jacket&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; text-align: center;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="color: #660000;"&gt;&lt;br /&gt;BOOK DESCRIPTION&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; font-size: large;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; font-size: large;"&gt;&lt;b&gt;The First World War mangled faces, blew away limbs, and ruined nerves.  Ten million dead, twenty million severe casualties, and eight million  people with permanent disabilities - modern war inflicted pain and  suffering with unsparing, mechanical efficiency. However, such horror  was not the entire story. People also rebuilt their lives, their  communities, and their bodies. From the ashes of war rose beauty,  eroticism, and the promise of utopia.     Ana Carden-Coyne investigates  the cultures of resilience and the institutions of reconstruction in  Britain, Australia, and the United States. Immersed in efforts to heal  the consequences of violence and triumph over adversity, reconstruction  inspired politicians, professionals, and individuals to transform  themselves and their societies.     Bodies were not to remain locked  away as tortured memories. Instead, they became the subjects of  outspoken debate, the objects of rehabilitation, and commodities of  desire in global industries. Governments, physicians, beauty and body  therapists, monument designers and visual artists looked to classicism  and modernism as the tools for rebuilding civilization and its citizens.  What better response to loss of life, limb, and mind than a body  reconstructed?      &lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6586968069798812707-4621863946785705844?l=naturistarchives1910s.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://naturistarchives1910s.blogspot.com/feeds/4621863946785705844/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://naturistarchives1910s.blogspot.com/2011/04/reconstructing-body.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6586968069798812707/posts/default/4621863946785705844'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6586968069798812707/posts/default/4621863946785705844'/><link rel='alternate' type='text/html' href='http://naturistarchives1910s.blogspot.com/2011/04/reconstructing-body.html' title='RECONSTRUCTING THE BODY'/><author><name>Angelos Mimikopoulos</name><uri>http://www.blogger.com/profile/12103483426722963409</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://3.bp.blogspot.com/_WRtPUhuy2GQ/S6zlKbB_z9I/AAAAAAAAGeQ/osk0Tf3mDOE/S220/d46.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-GwfVg-a7EIY/TasSfcAYTfI/AAAAAAAAJZo/jv8Elgoa-MU/s72-c/1853883.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6586968069798812707.post-6484076165476164674</id><published>2011-04-17T08:57:00.000-07:00</published><updated>2011-04-17T08:57:54.313-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='BOOKS'/><title type='text'>WILHELMINISM AND ITS LEGACIES</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-ZweV33JUeZM/TasNyF5vgpI/AAAAAAAAJZk/ObS-sVZTTgQ/s1600/adf010.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/-ZweV33JUeZM/TasNyF5vgpI/AAAAAAAAJZk/ObS-sVZTTgQ/s200/adf010.jpg" width="133" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;ISBN-13: 978-1-57181-687-0&lt;br /&gt;Editors: Geoff Eley and James Retallack&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Τ&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;itle: &lt;i&gt;&lt;span style="color: #660000;"&gt;Wilhelminism and its Legacies&lt;/span&gt;&lt;br /&gt;&lt;/i&gt;Subtitle: &lt;i&gt;&lt;span style="color: #660000;"&gt;German Modernities, Imperialism, and the Meanings of Reform, 1890-1930&lt;/span&gt;&lt;br /&gt;&lt;/i&gt;Foreword: Volker R. Berghahn&lt;br /&gt;Language: English&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: large;"&gt;&lt;br /&gt;&lt;b&gt;Edition: First Paperback Edition&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Place of Publication: New York &amp;amp;amp; Oxford&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Publisher: Berghahn Books&lt;br /&gt;Year of Publication: 2004&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Format: 153x229mm (trimmed)&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Pages:ix+269; Notes on Contributors, 253; List of Publications by Hartmut Pogge von Strandmann, 257; Index, 261&lt;br /&gt;Illustrations: 1 black and white picture; 6 figures and 4 tables&lt;br /&gt;Front Cover Photograph: Arthur Kampf, &lt;i&gt;1. August 1914&lt;/i&gt; in Berlin (1914)&lt;br /&gt;Binding: Paperback in duotone printed wrappers &lt;/b&gt;&lt;br /&gt;&lt;b&gt;Weight: 382gr.&lt;br /&gt;Entry No.: 2010036&lt;br /&gt;Date of Entry: 23&lt;sup&gt;rd&lt;/sup&gt; December 2010&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div align="center" style="text-align: center;"&gt;&lt;span style="font-size: large;"&gt;&lt;u&gt;&lt;b style="color: #660000;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;BOOK DESCRIPTION&lt;/span&gt;&lt;/b&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;  What was distinctive –and distinctively “modern” –about German society  and politics in the age of Kaiser Wilhelm II? In addressing this  question, these essays assemble cutting-edge research by fourteen  international scholars. Based on evidence of an explicit and  self-confidently bourgeois formation in German public culture, the  contributors suggest new ways of interpreting its reformist potential  and advance alternative readings of German political history before  1914. While proposing a more measured understanding of Wilhelmine  Germany’s extraordinarily dynamic society, they also grapple with the  ambivalent, cross-cutting nature of German modernities and reassess  their impact on long-term developments running through the Wilhelmine  age.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6586968069798812707-6484076165476164674?l=naturistarchives1910s.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://naturistarchives1910s.blogspot.com/feeds/6484076165476164674/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://naturistarchives1910s.blogspot.com/2011/04/wilhelmin-ism-and-its-legacies.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6586968069798812707/posts/default/6484076165476164674'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6586968069798812707/posts/default/6484076165476164674'/><link rel='alternate' type='text/html' href='http://naturistarchives1910s.blogspot.com/2011/04/wilhelmin-ism-and-its-legacies.html' title='WILHELMINISM AND ITS LEGACIES'/><author><name>Angelos Mimikopoulos</name><uri>http://www.blogger.com/profile/12103483426722963409</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://3.bp.blogspot.com/_WRtPUhuy2GQ/S6zlKbB_z9I/AAAAAAAAGeQ/osk0Tf3mDOE/S220/d46.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-ZweV33JUeZM/TasNyF5vgpI/AAAAAAAAJZk/ObS-sVZTTgQ/s72-c/adf010.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6586968069798812707.post-8189430348130807725</id><published>2011-04-17T00:54:00.000-07:00</published><updated>2011-04-17T00:54:24.804-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='MAGAZINES'/><title type='text'>DIE SCHÖNHEIT X. 12 (1913))</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-pb2cDLo7ir4/Taqccs2_umI/AAAAAAAAJYw/BaAbTEK8_6w/s1600/12704.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/-pb2cDLo7ir4/Taqccs2_umI/AAAAAAAAJYw/BaAbTEK8_6w/s200/12704.jpg" width="150" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;On order&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6586968069798812707-8189430348130807725?l=naturistarchives1910s.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://naturistarchives1910s.blogspot.com/feeds/8189430348130807725/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://naturistarchives1910s.blogspot.com/2011/04/die-schonheit-x-12-1913.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6586968069798812707/posts/default/8189430348130807725'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6586968069798812707/posts/default/8189430348130807725'/><link rel='alternate' type='text/html' href='http://naturistarchives1910s.blogspot.com/2011/04/die-schonheit-x-12-1913.html' title='DIE SCHÖNHEIT X. 12 (1913))'/><author><name>Angelos Mimikopoulos</name><uri>http://www.blogger.com/profile/12103483426722963409</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://3.bp.blogspot.com/_WRtPUhuy2GQ/S6zlKbB_z9I/AAAAAAAAGeQ/osk0Tf3mDOE/S220/d46.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-pb2cDLo7ir4/Taqccs2_umI/AAAAAAAAJYw/BaAbTEK8_6w/s72-c/12704.jpg' height='72' width='72'/><thr:total>0</thr:total></entry></feed>
